Loren Long To Illustrate Obama's Picture Book

After having heard Loren Long's great talk at the SCBWI Summer Conference, I was intrigued to hear today that he was also the illustrator of U.S. President Obama's picture book, Of Thee I Sing: A Letter To My Daughters.

Here's a video interview with Loren Long about his picture book, Otis!. The video includes some interest technique discussion partway through.

Video: Debra Frasier on illustrating children's books



One of the fun videos in a "Short Answers to Big Questions on Picture Books" series by children's book author and illustrator, Debra Frasier. The video is a great alternative to a typical book trailer video and a brilliant promo strategy.

A Couple of Five Year Olds’ Favorite Books

My family and I spent the weekend at the beach for a bit of down time before the more hectic pace of Fall. My twins are beginning Kindergarten, so my I mood has been wistful and reflective. Also, (let’s be real) I've been looking forward to this because I’ll have time to work! Whole hours! 

As my kids were packing their book sacks, I reflected on what their favorite books have been over the years. I thought Finn and Claire’s short list of favorite books would be fun to share, as a kind of field report from those in the know. 

Brief notes about how I edited their list: 

1. They are picture books, no non-fiction or mass market. 

2. I did not include the obvious, huge classics (Good Night Moon, Where the Wild  Things Are, anything Suess or Carle), although some are huge names in children’s   literature (Don Wood, Barbara Cooney). 

3. My kids have asked me to read them so many times that we have them practically memorized.  

A Couple of Five Year Olds’ Favorite Books:

The Big Hungry Bear by Audrey and Don Wood

King Bidgood’s in the Bathtub by Audrey and Don Wood

I Stink by Kate and Jim McMullan

Unlovable by Dan Yaccarino

Stop that Pickle by Peter Armour, Illustrated by Andrew Shachat

The Seven Silly Eaters by Mary Ann Hoberman, Illustrated by Marla Frazee

Chrysanthemum by Kevin Henkes

How do Dinosaurs Say Goodnight, by Jane Yolen, Illustrated by Mark Teague

The Little Red Hen by Paul Galdone

Oxcart Man by Barbara Cooney

 

Themes I noticed from this list: 

Many of the books engage the senses. That is, more senses than the visual and auditory. For instance my kids are drawn to books with food in them. There is an actual bite sized and shaped chunk missing from the feast spread in our copy of King Bidgood.  I Stink has some illustrations of puppy poo, moldy meatballs, and dirty diapers. Not only is this hilarious, but my kids will hold their noses and wave their hands. 

They have distinct moods or attitudes, wether it’s funny, quiet, or silly. I love the attitude of I Stink. What a brilliant job of capturing the cocky spirit of a trash truck. I love the quiet rhythms of life, work and seasons in Oxcart Man. 

They deal with kid’s reality, like being picked on (Unlovable and Chyrsanthemum), like not wanting to get out of the tub (King Bidgood’s in the Bathtub), and not wanting to go to bed (How do Dinosaurs Say Goodnight). 

Of course, it’s possible my theories are all wet. I asked my kids why they loved these books, and I got much simpler explanations. Here’s what Finn said about I Stink, “it has moldy meatballs”, and about Oxcart Man,"the ox has a nose ring". Claire likes Chrysanthemum because of her pretty dress with the sun on it. Hmmm. While I’m trying to figure out the chemistry of what makes a book a favorite, I think my kids are trying to tell me that they just know it when they see it (or hear it, or taste it, or smell it...)

How a rejection got me a book deal: My career-changing SCBWI Summer Conference experience

PLEASE NOTE: This article has moved to the KidLitArtists.com site. This page will eventually go away, so please do adjust your bookmarks to: http://kidlitartists.blogspot.com/2010/09/how-rejection-got-me-book-deal-my.html - Thanks!

(Reprinted with permission from the SCBWI Illustration Committee Blog)

It all began with a rejection.

Originally, I wanted to participate in the manuscript critique program at the SCBWI Summer Conference in L.A. This year, I was excited about submitting pages from a new project: a middle grade humor-mystery illustrated by cartoons. Worked hard to get the pages finished, and then paid to have it couriered it to the SCBWI office to make the deadline.


Sadly, I had misread the submission rules. The hardworking staff at the SCBWI office called to let me know. Illustrations were not allowed for any type of manuscript submission and no, not even a one sample illustration at the end. Disappointed, I told them that I had to withdraw from the critique program.

When I told my illustrator friend, Beckett Gladney (also see her personal blog & Etsy shop), she suggested I submit something to the Illustrator Portfolio Showcase at the convention. I told her I wasn't good enough, but she and my author/illustrator sister Ruth Ohi disagreed. My next excuse: lack of time. Beckett said she'd help me.

I didn't have a proper online portfolio, so Beckett went into my Flickr account and chose images she thought were my strongest. Then she printed them out and created a gorgeous custom-made cover for my portfolio (she sells others in her Etsy shop), if anyone's interested). The night before the Portfolio Showcase, we spread the pictures out on the floor and decided on the order.

To my utter shock, I ended up winning an Honor Award (one of the two runners-up) and a Mentorship Award.

Because I hadn't read the schedule properly, I missed the award announcements. I arrived after they were over, and started browsing porfolios. Oh geez, I thought. These are all so good. What was I THINKING, entering my work in this event? I purposely didn't look for my own portfolio because I was too embarrassed.

Then Beckett grabbed me, all excited, and said that my portfolio was up front on the winners' tables. At first I thought there must have been a mistake. Then I was convinced I was dreaming (seriously, no lie).

Because here's the thing: up to this weekend, I had always considered myself mainly a WRITER. Yes, I did webcomics and some client work, but never thought about doing children's book illustration because I had no art training.


The next morning, the six chosen mentees met with the six mentors for our one-to-one portfolio critique sessions: Cecilia Yung, Art Director and VP at Penguin Young Readers; Pat Cummings, Illustrator, Writer, and Instructor at Parsons; Priscilla Burris, National Illustrator Coordinator; David Diaz, Award Winning Illustrator; Bridget Strevens-Marzo, International Illustrator Liason; and Rubin Pfeffer, Agent at East/West Literary Agency.

At first I was SO intimidated, but then forgot about being nervous once the sessions started because I was too busy absorbing all the feedback and advice about what worked in my portfolio, what didn't, and what I could do to improve. And throughout it all, I couldn't help but get excited. And I mean really, really excited.

After the mentor sessions, we mentees decided to get together on our own and compare notes as well as get to know each other a bit better. The other mentees were: Ashley Mims, John Deininger, Andrea Offermann, Eliza Wheeler and Kimberly Gee.

We all got along really well. So well, in fact, that we've kept in touch even now that the conference is over. We exchange news, advice and info through a mailing list, and we've even launched our own blog.


In fact, this is the first public announcement about our brand new blog, WHERE THE SIDEWALK BEGINS. In addition to posting updates about our illustration projects, we're also going to share info about what we learned during our mentorship sessions as well as other tips, resources and news of interest to children's book illustrators.

But wait! There's more!


One of the Portfolio Showcase judges was Justin Chanda, publisher for Simon & Schuster Books For Young Readers, Atheneum Books For Young Readers, and Margaret K. McElderry Books. The day after the Showcase, Alice Pope told me that Justin was looking for me.

When I found myself in the front row just before one of Justin's panels, my seat mates (whom I had just met) helped me work up the courage to go up and introduce myself to the publisher.


Justin sent me the unedited picture book story, which I LOVED and he and my agent, Ginger Knowlton from Curtis Brown, worked out the details. Then (YAY) I was told I could make the news public. So for those of you who haven't yet heard, I'm going to be illustrating a picture book by writer/comedian/actor Michael Ian Black, due out from Simon & Schuster in 2012.



Not only that, but another publisher who had seen my portfolio is interested in seeing any picture book stories I've written. SO excited about the possibility of writing -and- illustrating my first picture book.

None of this would have happened had it not been for the SCBWI Illustrator Portfolio Showcase. That weekend was a career-changer for me. It opened my eyes to opportunities I had never considered before. It gave me the opportunity to learn from industry pros one-on-one; several of the mentors have asked me to keep in touch and update them on my progress.

I'm also learning from the other mentees, who are sharing advice as well as encouragement. I'm excited about our new blog.

My advice to illustrators AND writers out there:

1) Be open to new career opportunities.

2) Don’t get in a creative rut. Push yourself to venture out of your comfort zone on a regular basis (or have a supportive friend like Beckett Gladney to help do the pushing).

3) If you're interested in writing or illustrating for children, join the SCBWI.

4) And getting back to how this all began ... Try not to let rejections get you down. You never know what opportunities they'll bring. It turns out that getting my mss rejected was a good thing, since conference attendees can only participate in the mss critique OR the portfolio showcase, not both.

So ... if I HADN'T been rejected by the mss critique program, then I wouldn't have been able to participate in the Illustrator Portfolio Showcase even if I had wanted to.

And to the SCBWI, especially the SCBWI Illustration Board:

THANK YOU!

-- Debbie Ridpath Ohi








Profile of Eliza Wheeler in latest issue of KITE TAILS

Be sure to check out the great piece about Eliza in the Fall 2010 issue of Kite Tales (The Newsletter of the SCBWI Tri-Regions of Southern California).